| 7 | 5 | 3 | 1 |
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fān
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hǔ
|
yīng
|
wú
|
|
jiāng
|
hǒu
|
wù
|
xíng
|
|
dáo
|
猿
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zì
|
wú
|
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hái
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míng
|
rán
|
xiàng
|
| 8 | 6 | 4 | 2 |
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jìn
|
quán
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xī
|
quán
|
|
xìng
|
清
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shān
|
shēn
|
|
lì
|
hé
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xuán
|
tòu
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mìng
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jìng
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qìng
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kòng
|
Lacking Form, Empty Image
Whole Body Transparent Void
Accept Surroundings, Self Incinerates (be natural)
West Mountain Suspended Chime
Tiger Roars, Ape Cries
Spring Clears, Creek Silent
Turbulent Delta, Crashing Sea
Cleansed Core, Upright Life
Estimated to have been written circa 961 AD at the end of the Tang or beginning of the Sung Dynasty.
The Tung/Dong family Red Book [translation by Alex Dong, 2003] attributes the poem of "These Words of Experience" to Taoist Monk Lǐ which was given to Yu Nian Zhou.
Lu Shengli [translated by Zhang Yun, 2006] references Lǐ as a Taoist priest from the Nanyan Temple on Wudang Mountain during the Tang Dynasty who practiced Xiantian [Pre-birth] Quan.
32 words reference a high-level relationships among the Dào, Qì Gong, and martial arts.
A core way to understand the poem is that it references Qì (
氣
) and the Body.
In this poetic form each of the four-character 'stanzas' relates to the next one.
Each stanza acts as kind of 'stair step' to the next, moving from ''xternal' to 'internal'.
There is a sort of 'Waxing, Waning, Waxing, Release' of the Qì in the second half of the poem
|
wú |
Empty, not to have, no, none, not, to lack. Used similar to un- and -less
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xíng |
Form, shape, outside |
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Image (internal or external representation) |
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Whole Shows a whole piece of jade; pure jade. |
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Body
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to penetrate, pass through, to appear, show Two components derive from 'walking' and 'naked' |
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Void |
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Accept |
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All of the outside world, excluding oneself Component is grain; seed; lineage |
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Self Originally a pictogram ( 象形 ) of a nose; in China (and East Asia) one points at one's nose to indicate oneself, hence an ideogram (指事 ) of 'self'. |
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rán |
Burn away
A fusion of 肰
njen,
('dog meat') +火
('fire') - to burn.
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West
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Mountain |
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Suspended
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Chime
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hǔ |
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Silent (points again at 'nothing' and 'the void' and 'stillness') |
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Sea
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('hand holding a brush') + 灬 ('bristles') + 皿 ('dish') - cleaning a dish with a brush - empty. |
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Core
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Life |
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| 7 | 5 | 3 | 1 |
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fú
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tiān
|
shùn
|
shí
|
|
tuō
|
rén
|
bèi
|
jǐ
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|
tài
|
地
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qián
|
xī
|
|
shān
|
hé
|
kūn
|
bǐ
|
| 8 | 6 | 4 | 2 |
|
wú
|
yī
|
qiān
|
wàng
|
|
wèi
|
氣
|
jīn
|
wǒ
|
|
hào
|
guàn
|
qiǎo
|
suí
|
|
rán
|
chuàn
|
bō
|
fēng
|
Know Yourself (to/and/thus) Understand Other(s)
Forget Yourself (and) Follow The Wind (Nature)
Ebb and Flow of Positive and Negative (Yin/Yang)
1,000 Pounds (catties) skillfully handled
Heaven, Person, Earth - Unite
One Breath strung through (you)
Float The Highest Mountain
(Fearless)
|
shí |
Knowledge |
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jǐ |
Self (oneself) / Personal (private) - Originally a silk rope and sixth of the ten heavenly stems
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xī |
Ideogrammic compound 釆 ("to distinguish") + 心 ("heart") |
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bǐ |
That/Those/He/She/It |
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wàng |
Forget |
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wǒ |
Self |
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suí |
'Follow'
It also contains the glyph for 'ear' and can be thought of 'moved towards/by music' and is said to have a 'Yin' quality Names the 17th hexagram of the I Ching - "Following" ䷐ |
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fēng |
Wind.
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shùn |
Flow with / Smoothly follow |
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bèi |
Go backwards/Oppose
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qián |
This character represents Heaven pairing with Earth. First of the eight trigrams (bagua) used in Taoist cosmology, represented by the symbol ☰ |
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kūn |
Earth
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qiān |
Thousand |
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jīn |
A Chinese measure unit of weight (catty) that is a little over a pound |
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qiăo |
Skillfully |
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bō |
Handled, Scattered, Stirred, To Rule |
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tiān |
Sky/Heaven/Heavenly |
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rén |
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dì |
Earth (in this case referencing the five elements, as differentiated from kūn which is 'all yin' balanced with 'heaven' which is 'all yang') |
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hé |
Combine/Union. The pictogram is of a mouth - 'to speak in one voice' |
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yī |
One |
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Energy/Life/Breath |
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guàn |
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chuàn |
String |
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fú |
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|
tuō |
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Greatest |
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shān |
Mountain
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wú |
Empty, not to have, no, none, not, to lack. Used similar to un- and -less
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|
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wèi |
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Torrential/Great |
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rán |
Original Form: To Burn |
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