Thirty-Two Words
by Lǐ Dào Zǐ



7 5 3 1

fān
Turbulent


Tiger

yīng
Accept


Lacking

jiāng
Delta

hǒu
Roars


Surroundings

xíng
Form

dáo
Crashing


yuán
Ape


Self


Empty

hái
Sea

míng
Cries

rán
Incinerates

xiàng
Image

8 6 4 2

jìn
Cleansed

quán
Spring

西


West

quán
Whole

xìng
Core


qīng
Clears

shān
Mountain

shēn
Body


Upright


Creek

xuán
Suspended

tòu
Transparent

mìng
Life

jìng
Silent

qìng
Chime

kòng
Void

Lacking Form, Empty Image
Whole Body Transparent Void
Accept Surroundings, Self Incinerates (be natural)
West Mountain Suspended Chime
Tiger Roars, Ape Cries
Spring Clears, Creek Silent
Turbulent Delta, Crashing Sea
Cleansed Core, Upright Life

Estimated to have been written circa 961 AD at the end of the Tang or beginning of the Sung Dynasty.
The Tung/Dong family Red Book [translation by Alex Dong, 2003] attributes the poem of "These Words of Experience" to Taoist Monk Lǐ which was given to Yu Nian Zhou.
Lu Shengli [translated by Zhang Yun, 2006] references Lǐ as a Taoist priest from the Nanyan Temple on Wudang Mountain during the Tang Dynasty who practiced Xiantian [Pre-birth] Quan.
32 words reference a high-level relationships among the Dào, Qì Gong, and martial arts.
A core way to understand the poem is that it references Qì (
) and the Body.

In this poetic form each of the four-character 'stanzas' relates to the next one.
Each stanza acts as kind of 'stair step' to the next, moving from ''xternal' to 'internal'.
There is a sort of 'Waxing, Waning, Waxing, Release' of the Qì in the second half of the poem

 

Empty, not to have, no, none, not, to lack. Used similar to un- and -less
Original
Pictogram ( 象形 ) man dancing with oxtails in both hands praying for rain (lack)

xíng

Form,  shape, outside

xiàng

Image (internal or external representation)
Thought to be the same word as "elephant"
Possibly derives from (lad-mo, 'imitation, to imitate, mimic') 

quán

Whole

Shows a whole piece of jade; pure jade.

shēn

Body
Originally from a pictograph of a pregnant woman.

tòu

to penetrate, pass through,
thoroughly, completely, transparent

to appear, show

Two components derive from 'walking' and 'naked'

kòng

Void

yīng

Accept
Component is 'heart'

All of the outside world, excluding oneself

Component is grain; seed; lineage

Self

Originally a pictogram ( 象形 ) of a nose; in China (and East Asia) one points at one's nose to indicate oneself, hence an ideogram (指事 ) of 'self'.

rán

Burn away

A fusion of 肰 njen, ('dog meat') + ('fire') - to burn.
When paired with the prior character they indicate ease, 'naturalness', or a kind of unselfconciousness.

西

West
Traditionally explained as a pictogram of a bird settling into its nest, which by analogy with the setting of the sun means 'west'.

shān

Mountain

xuán

Suspended
To hang or suspend, to worry, unresolved, without foundation

qìng

Chime
Chime stones, ancient stone or jade pieces hung in a row and struck as a xylophone.
Likely in this case singular ones hung in Daoist temples

Tiger

hǒu

Roars

yuán

Ape

míng

Cries

z

quán

Creek

qīng

clear

Creek

jìng

Silent (points again at 'nothing' and 'the void' and 'stillness')

z

fān

Turbulent
('wings') - to flutter

jiāng

the left side is 'water' the right side is 'plow'. Often short hand for the Yangtze River. In this context it could be thought of as the place where a large river meets the sea (Estuary/Delta)

dáo

Crashing

hái

Sea
This set of four characters is a common phrase that represents a kind of environmental chaos

z

jìn

Cleansed

('hand holding a brush') + ('bristles') + ('dish') - cleaning a dish with a brush - empty.

xìng

Core
心 ('heart') + phonetic
- nature, personal quality, hence of the heart.

Upright
 a person standing on the ground;

mìng

Life
'to order; to command' > 'order; command' > 'destiny; fate; lot' > 'life'

32 Words (on the 32 Words)
by
Anthony Ho Nan Jie (何 南 傑)
August 7, 2005 (finalized in 2022)
In Chinese poetry there is a form where two poems reflect each other and act as a doorframe for the reader to 'go through'.
Each of these four character stanzas reflects its parter in the first 32 words.
These 32 are an attempt at a more 'practical/physical/Yin' take on the 'poetic/energetic/Yang' expressions in the first 32 words.
7 5 3 1


Float

tiān
Heaven

shùn
Flow

shí
Know

tuō
Hold

rén
Person

bèi
Ebb

jǐ
Self

tài
Greatest


dì
Earth

qián
Positive

xī
Understand

shān
Mountain

hé
Unite

kūn
Negative

bǐ
That

8 6 4 2

wú
No

yī
One

qiān
Thousand

wàng
Forget

wèi
Fear


qì
Energy

jīn
Pound

wǒ
Self

hào
Vast

guàn
String

qiǎo
Skillfully

suí
Follow

rán
Burn

chuàn
Link

bō
Handled

fēng
Wind

Know Yourself (to/and/thus) Understand Other(s)
Forget Yourself (and) Follow The Wind (Nature)
Ebb and Flow of Positive and Negative (Yin/Yang)
1,000 Pounds (catties) skillfully handled
Heaven, Person, Earth - Unite
One Breath strung through (you)
Float The Highest Mountain
(Fearless)

shí  

Knowledge

Self (oneself) / Personal (private) - Originally a silk rope and sixth of the ten heavenly stems
Paired with above can be thought of in a similar context to: 'Know Thyself'

Ideogrammic compound 釆 ("to distinguish") + 心 ("heart")
To know; to learn; to be informed of. Also can mean to exhaust or use up.

That/Those/He/She/It

wàng

Forget

Self

suí

'Follow'
It also contains the glyph for 'ear' and can be thought of 'moved towards/by music' and is said to have a 'Yin' quality
Names the 17th hexagram of the I Ching - "Following" ䷐

fēng

Wind.
In this pairing 'follow the wind' asks one to 'follow the way of things'.

shùn

Flow with / Smoothly follow

bèi

Go backwards/Oppose
These first two characters (when paired) can be a way to look at Yin and Yang, as can the next two characters

qián

This character represents Heaven pairing with Earth. First of the eight trigrams (bagua) used in Taoist cosmology, represented by the symbol ☰
First hexagram of the I Ching, represented by the symbol ䷀

kūn

Earth
Eighth of the eight trigrams (Bagua - The Receptive/Field) used in Taoist cosmology, represented by the symbol ☷
Second of the sixty four hexagrams (I Ching - The Receptive/Field) used in Taoist cosmology, represented by the symbol ䷁
When paired with the above character it reads Qiánkūn - Heaven&Earth / Yin&Yang.
Tony said he liked the 'playfulness' of having the two pairs say the same damn thing.

qiān

Thousand

jīn

A Chinese measure unit of weight (catty) that is a little over a pound

qiăo

Skillfully

Handled, Scattered, Stirred, To Rule

tiān

Sky/Heaven/Heavenly

rén

Man (human/person)

Earth (in this case referencing the five elements, as differentiated from kūn which is 'all yin' balanced with 'heaven' which is 'all yang')

Combine/Union. The pictogram is of a mouth - 'to speak in one voice'
side note - there was an mixup: another hé that typically represents bringing together, but not unifying. I was told the 'wrong' one was like bringing together water, flour, salt, and sugar in a bowl ; whereas the 'right' one is like them becoming dough.

z

One

Energy/Life/Breath

guàn

Through

chuàn

String

z

 

Float

tuō

Support

tài

Greatest

shān

Mountain
Paired with the above it refers to Mount Tai in China. The highest point in Shandong province

z

 

Empty, not to have, no, none, not, to lack. Used similar to un- and -less
Original
Pictogram ( 象形 ) man dancing with oxtails in both hands praying for rain (lack)

wèi

Fear. In oracle bone script form, this character depicts a ghost holding a stick. The small seal glyph depicts ghost head with part of a tiger, including its claw.
The phrase Wúwèi by itself means 'fearless'.

hào

Torrential/Great

rán

Original Form: To Burn
Suffix forming adverbs, sometimes also adjectives, with an abstract meaning of 'in the manner of, like'
When paired with the prievious character: Vast; expansive; overwhelming
This four character phrase together indicates Fearless and Awe-Inspiring.