Final verse* from The Song of Push (striking/joining/playing/meeting) Hands
Dǎ Shǒu Gē



Attributed to Wáng Zōngyuè



zhān
stick


lián
join


nián
adhere


suí
follow



Don't/No


diū
abandon


dǐng
obstruct


何 南 傑 Anthony Ho Nan Jie's take


zhān
soak


lián
join


nián
adhere


suí
follow



Don't/No


diū
abandon


dǐng
obstruct

Only one person can stick and follow
Avoid the temptation to move/block/control/escape
If you are Diū you will be struck and/or will have 'space stolen'
If you are Dǐng you will be pushed/moved/collapsed/controlled

zhān 'Stick'
This character has a glyph for 'rice' on the left.
It also has a glyph that originally meant 'divination'
While it can be seen as the 'lighter' of the two 'stick/adhere' characters, it is said to be 'Yang' as paired with nián.
There is a quality of 'licking a finger and picking up something' or 'sushi drawing up soy sauce with adhesion/capillary-action'
zhān Soak / Dampen
This character has a glyph on the left for 'water' instead of 'rice' as a differentiation from zhān. The suggestion has been made to substitute in order to signify a kind of gently/naturally penetrative touch. Water is a consistent conceptually powerful image, in this case the adhesive quality is highlighted.
lián 'Join'
This character represents a boat on a river or a cart on a road
There is a quality of 'continuous' this character also references (no breaks/stops) and is said to be 'Yang' as paired with suí.
nián 'Adhere'
This character has similar structure to zhān and can be used in relation to Sticky/Glutinous Rice.
While it can be seen as the 'stronger' of the two 'stick/adhere' characters, it is said to have a 'Yin' quality
There is a quality of 'wallpaper paste' or 'can't get rid of my little brother who keeps following me around'
suí 'Follow'
This character has similar structure to lián.
It also contains the glyph for 'ear' and can be thought of 'moved towards/by music' and is said to have a 'Yin' quality
Names the 17th hexagram of the I Ching - "Following"
Don't / No
This character applies to both of the following characters as an advisement against.
Originally based on a glyph for the calyx flower (which is poisonous) and mouth.
diū Abandon / Lose / Flee
To go, or to remove, or to misplace
dǐng Obstruct / Resist / Fight
Character originally referred to the head-top and can be seen as 'head butting' or 'butting in'
To Confront, Support, Resist, or Opppose

General Terms

sōng (sung) 'Relaxed' (not collapsed) - in Taji a way 'lacking extraneous tension'.
Two stacked characters - Upper 'hair', lower 'pine tree'.
Can be thought of as representing pine needles.
Used in a common phrase: 放 鬆 - fàng sōng: To 'release softness'.
bīng (peng/pung) 'Expansive' or 'Bouyant' - in Taji a way to think of it is the water that floats the boat
Character originally was the cover to a quiver
* On the question of order: In the salt shop manual it is written as:
粘 連 黏 隨
There is a rhythm to the phrase that lends itself to being spoken in a different order, so there are references to the four qualites in other TaiJi classics this way:
粘 黏 連 隨